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And it is right here that the film began to lose me whilst I continued to admire its performances, route, and general sense of craft.
I have never seen too many movies about grief that so keenly seize that feeling proper after a catastrophic loss the place everybody near the deceased is wandering round trying like they’ve simply climbed out of a wrecked automotive, and spending inordinate quantities of time sitting and looking at nothing particularly. The “life goes on anyway” scenes are robust as properly, particularly the scenes of Léo rising near the hockey gamers who change into his pals regardless that their cruelty helped spark this disaster (that is an unhealthy factor that occurs in life, sadly—generally the individuals who helped trigger your grief are those who consolation you afterward).
Much more affecting are scenes of Rémi’s mom Sophie seeming to be drawn to Léo, and he to her, within the aftermath—as if she’s realizing that he might be a son to her, a partial comfort for an irreplaceable loss, and her a mom to him. The horror and shock following the loss of a kid is not one thing that fashionable artwork dares to look at shut up with any regularity. Useless kids are extra typically referred to in previous tense or used as plot gadgets (the factor that is not talked about till characters lastly speak about it). So it is admirable, in a manner, that “Shut” determined to go the place it went.
However what does it discover and present as soon as it has gone there? That is the query I’ve no good reply to.
That is, while you get right down to it, the story of a horrible factor that occurred, that no one who really helped trigger it will possibly perceive (or reveals any signal of even wanting to grasp), that nobody within the lifeless boy’s quick circle noticed coming or might have prevented, and that smashes two households’ understanding of themselves to items. And it leaves poor Léo carrying round an unimaginable and (for him) mystifying burden: he seems like that is all his fault, regardless that it is not. The film generates suspense by making us marvel when Léo is lastly going to inform Sophie that (in his thoughts) he prompted her loss. It lastly occurs within the final ten minutes of the story, and the lifeless boy’s household instantly leaves city, and the movie ends with poor Léo trying into their now-empty home.
