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Elvis Presley (voiced by Matthew McConaughey) leads a double life. By day, he’s the celebrity rock ‘n’ roll musician everybody is aware of and loves. By night time, he’s a crime-fighting vigilante who delivers beatdowns as brutal as Batman. Proper by his facet is his dim-witted-yet-skillful chauffeur Billy Ray (Johnny Knoxville), his alcoholic, cocaine-snorting, sex-addicted chimpanzee Scatter (Tom Kenny), and his no-nonsense supervisor Bertie (Niecy Nash-Betts). When carried out together with his heroic duties, he returns dwelling to Priscilla (voiced by herself), unaware of his crime-fighting way of life. Throughout considered one of his solo stunts, Elvis was recruited by cynical particular agent Cece (Kaitlin Olson) to change into a spy underneath a secret authorities program known as TCB. Below the watch of The Commander (Don Cheadle), the short-fused and eccentric head of the TCB, Elvis embarks on numerous missions to cease a harmful hypnotic weapon whereas grappling with a previous he can’t keep in mind.
“Agent Elvis” pops with vibrant colours and a graphic noir 2D-art model filled with sharp geometric edges and thick outlines paying homage to Gerard Means, Jamie Hewlett, and Genndy Tarkovsky, with the latter being a serious affect for its course of violence, bloody motion. As Elvis is thrust into motion by the primary dozen minutes of the inaugural episode, the extent of ardour poured into the artistry and elegance is worn on its sleeve, staying on its kinetic wavelength all through the sequence. Its closely impressed graphic novel aesthetic involves life when the side ratio always types totally different styles and sizes like comedian panels, together with motion strains of eye-popping VFX methods filling the background. It’s telling how a lot glee the animators at Vancouver-based studio Titmouse had when developing the fast-paced motion sequences. Robert Valley’s distinct geometric character designs pair effectively with Chris Thompson’s artwork route, offering a broadened scope as grand as a globetrotting James Bond flick.
The adventures comply with quasi-episodic, quasi-story-driven spy quests (a la “Archer”) both riffing on the popular culture occasions of the time—Elvis going through off towards Charles Manson (Fred Armisen) and the Manson Household—or notable Elvis’ profession milestones, like when he infiltrated the White Home and met an outright racist Nixon. All of the historic revisionist missions fluctuate in high quality and creativity, however the novelty of every premise wears off rapidly.
As Sony Animations’ first enterprise into grownup animation, “Agent Elvis” falls into the trimmings of too many different adult-animated comedies, emphasizing vulgarity as the idea of humor somewhat than specializing in intelligent writing. The darkish comedic tone of “Agent Elvis” makes an attempt to interrupt away from the shadow of different adult-animated spy comedies however fails to carve out its id. Like “Archer,” this is one other lead portrayed as a womanizing sarcastic wisecracker with an inflated ego, who occurs to be a extremely skillful killing machine, paired up with a firecracker cynic. Each time the comedic banter is about between an aggravated Elvis and controlling Cece (basically Lana Kane combined with Olson’s “It’s At all times Sunny in Philadelphia” character Dee Reynolds), the joke misses greater than it hits. Many supporting gamers examine an excessive amount of to the identical offbeat character dynamics between the Archer crew however with an Elvis coat of paint.
